Posted by Donna MacMeans May 23 2016, 12:01 am
I clearly remember an evening in June 2006 when I pitched two manuscripts to two different agents at Lori Foster’s Readers and Authors Get Together. I wore my “power suit.” You know, the outfit that makes you feel professional and put together. For me, that was a black column dress (which I doubt I can still fit into) with a longish black jacket. It must have worked as both editors later bought my manuscripts.
You’ve heard about the first manuscript to sell. The Education of Mrs. Brimley went on to win the Golden Heart the following month. But I’m not sure you’re familiar with the second manuscript, In a Heartbeat, which was purchased by Samhain. It was the second story I’d ever written (the first is still under the bed) and was probably written about 2002 or 2003.
As you can see by the cover on the right, it was published at a time when authors had separate names for separate genres. This, I was told, was to help bookstores know where to shelve books, and to protect readers who might be expecting one kind of story (Historicals) from being disappointed to find a different story (Romantic Suspense). With the rise in self-published and the demise of book stores, I don’t think this is the rule anymore. It’s assumed readers are intelligent enough to recognize the difference in genres. Richard, by the way, is my husband’s name. Publishing as Donna Richards was my way to thank him for his support during the many, long, non-publishing years.
I received the rights back to In A Heartbeat a couple of years ago. My plan was to slap a new cover on it, write a new blurb, and self-publish the story. After all, it had been already edited by Samhain so how difficult could it be? Well, more difficult than you might think.
You can see the new cover to the left. Erin Dameron-Hill, who also did my cover for Bound by Moonlight, is the designer. I wrote a much improved blurb for the book as I’ve a better sense now of how these things are done. Here’s the blurb:
Transplanted hearts can hold memories. They can give voice to the dead. And they can hold the key to identifying a serial killer.
Assigned to do an audit for an old client may finally give Certified Public Accountant Angela Blake what she really wants: independence from a family that’s been overprotective for far too long. Her recent heart transplant has given her a new lease on life and she’s ready to live. The demanding new CEO of Hayden Industries may be distractingly sexy, but Angela’s audit reveals troubling hints of deception. What is he hiding?
Hank Renard never wanted to be CEO of Hayden Industries, but his parents’ impending financial ruin gave him no choice. If he doesn’t reverse the flow of red ink, he’ll lose the lucrative incentives offered. The clumsy, adorable auditor with the face of an angel only adds to his problems.
A series of troubling accidents point to a dangerous truth: someone wants Angela Blake dead. With her job, her heart and her life in peril, will Angela survive to discover a long-awaited love, or will her new life end before it’s barely begun?
So I should have been ready to release the book, right? Wrong.
I decided to update the book to make it more relevant to contemporary times. Back in 2002, landline telephones were more prevalent than cell phones. I thought that would be the only fix, but I was mistaken. As I read the story, I stumbled across a reference to music on CDs. You remember those lovely silver discs that we don’t use anymore? Had to replace that with music provided by a cell phone. I also referred to a dial-up computer line. I’m certain that’s we had in 2002, and while some people may still have dial-ups, that particular reference would automatically date the story. I had to change to password protected wifi to get to the internet.
The story involves a CPA engaged in an audit. This is a subject I know something about, or at least I did back in the 80s when I perform audits. I read through my entire manuscript, changing, improving, adding emotion where I could, when I realized that auditing a company has probably changed from when I did the deed. Computer spreadsheets saved on a flash drive or on the internet in a shared document would replace the old green work papers that I was familiar with. So familiar that I’d glossed over all the references to them in my first pass-through without blinking an eye. I thought I was done with revisions to update when it hit me. I had to go back and change all those references.
There’s a scene at the Ohio State Football Stadium which was remodeled shortly after I wrote the story. I left the the old stadium. I’m guessing not many would recognize the difference.
The whole experience made me think about how life has changed since I originally wrote that story, and what a long strange trip it’s been. I made a reference to a clothing incident where an employer was displeased with a skirt being too short. (This, by the way, is based on my own experience. Not exactly as presented in the story, but close ). I wondered if that still happens, but then heard just last week an employer complaining about “skinny jeans” worn in the office as too seductive. So that prejudice still exists even though clothing standards have relaxed. Fortunately, I didn’t reference any songs as obviously music has changed. But what else? Can you think of anything?
I must say, while I did go through an update and polish the manuscript. The basic story surprised me. This is really quite good. I hope you give it a try when it comes out in July. I’m looking for some folks to read the book with the condition that they write a review for Amazon and Goodreads. If you’re interested, let me know.
Posted in changing times, Donna MacMeans, Heart Transplant, In a Heartbeat, Romantic suspense