Posts tagged with: Nancy Robards Thompson

Nancy and Katherine’s Winners!

Thanks to Katherine Garbera and Nancy Robards Thompson for visiting the lair last Friday. And thanks to everyone who contributed such fascinating stories. It’s now my great pleasure to announce the winners:

FEDORA: TEXAS CHRISTMAS by Nancy Robards Thompson

MAY: CALLING ALL THE SHOTS by Katherine Garbera

Congratulations, girls! Fedora, can you please email Nancy on nrobardsthomspon @ (no spaces) with your snail mail info? May, can you please email Kathy on kathy @ (no spaces) with your snail mail info? And happy reading!

Lights, Camera, Action! with Nancy Robards Thompson and Katherine Garbera

I’ve got a real treat for you all today! Good friends Katherine Garbera and Nancy Robards Thompson are going to interview one another and give away their great new releases TEXAS CHRISTMAS (Nancy) and CALLING ALL THE SHOTS (Katherine).

TEXAS CHRISTMAS (Harlequin Special Edition) sounds like the perfect read for this time of year. Debbie Haupt at RT Book Reviews said, “Featuring both new and familiar characters from past tales, Thompson’s holiday romance will stay with readers long after the end. Her protagonists are clearly meant for each other from page one, and you’ll love how she brings them together.” Here’s the blurb:

Busted! When Pepper Merriweather’s superwealthy daddy is arrested for fraud—and the family fortune is kaput—just before the holidays, Pepper suddenly finds herself in need of a job. Despite her high-society connections, no one wants to give her a chance—no one except gorgeous billionaire recluse Robert Macintyre.

When he proposes a position that comes with more strings attached than a symphony orchestra, Pepper knows it’s an offer she should refuse. But beggars can’t be choosers. Besides, Pepper knows she has what it takes to rise to the challenge—but does she have what it takes to keep her hands off her irresistible new boss?

CALLING ALL THE SHOTS (Harlequin Desire) sounds like great fun too. Harlequin Junkie said, “The more that you get to know these amazing characters the more you fall in love with CALLING ALL THE SHOTS. If you are looking for a fun, sweet, romantic read then this is the book for you.” Here’s the blurb:

The irony of working on a matchmaking reality TV show hosted by the guy who broke her heart in high school has producer Willow Stead tied in knots. Not only that, but Jack Crown even has the nerve to ask her out. Should she risk taking him up on his offer?

Jack sees Willow Stead all grown up and has to have her. Soon passions erupt that rival the drama on the show. But does Willow have a trick up her sleeve that will throw the celebrity pitchman a major curveball?

You can find out more about Nancy and her books at her website:

You can find out more about Katherine and her books at her website:

Kathy: The two of us have known each other for more than fifteen years. So it was a nice surprise when we discovered we both had third books in a series out this month. Not only that, but both of our stories are set in the world of reality TV.  

We got the ideas for our books because we’ve both worked behind the scenes of a television show. That leads to another happy coincidence of our friendship: we both realized that we worked on the same show, THE NEW MICKEY MOUSE CLUB, but at different times.

Nancy: Gosh, that seems like another lifetime ago, but it was definitely one of the best jobs I’ve ever had. It was fun and always changing. Still, I wouldn’t trade my writing career to work in TV and movies, but I’m glad I had the opportunity. How did you get the job on the MICKEY MOUSE CLUB, Kathy?

Kathy: I was part of the opening crew for the Disney-MGM Studios and we were hired about three months before the park opened so we recruited audience members at the Magic Kingdom each day and then took them to the Studios for the tapings.  Everyone was new to the show including the cast so we all sort of hung out together.  Since I was 18 I wasn’t that much older than most of them.  But Nanc, the Mouse Club wasn’t your only job in that industry was it?

Nancy: No, my time on THE MICKEY MOUSE CLUB was bookended by two movies.  I helped with extras casting on the movie D.A.R.Y.L. and then I was on set when Michael Damian (The Young and the Restless) and James Best (Dukes of Hazzard) filmed the short HOUSE OF FOREVER. I wasn’t employed by HOUSE OF FOREVER‘s  production company. I was in public relations for the non-profit organization that owned the set where the film was made. I was the nonprofit’s contact person. So, I was on set every day. Even though each TV/film project I worked on was distinctly different, the action going on behind the scenes had a bit of the same feel. You know what I mean? Not to be cliché,  but the lights, camera, action bit gave each project the same feel.

Kathy: I know exactly what you mean, Nanc.  I also worked on the set of SUPERBOY which was filming at the Disney-MGM Studios before it moved to Universal (bit of rivalry back then).  My fav memory is when my pal Judy and I were sent to pick up a prop on the production golf cart.  We were goofing around on it and got it stuck in a ditch.  Boy was that fun to explain!  But you are right in that behind-the-scenes feels very similar the only thing that was different was when I worked on WWF’s MONDAY NIGHT SMACK DOWN and the game show TEEN WIN, LOSE OR DRAW! Because the action wasn’t scripted necessarily.  On the game show I was stationed in the audience to remind people not to call out the answers while we were taping.  If they did, we had to start that part of the show all over again.

Nancy: Working in TV and movies is definitely a hurry-up and wait game. Depending on your job, there can be a lot of standing around and waiting… and the days are usually long and demanding of your time. One of the biggest challenges I faced was when I handled the extras for D.A.R.Y.L. I actually had to book people to be extras in the movie. At first people were excited because they were going to be in a movie AND they were going to get paid for it! Woot! Woot! After the first few days of shooting reality set in that they were getting a flat fee for a very long, boring day. I think they got something like $50 or $75 for each day that they worked. Call time was early and the same for everyone, but I couldn’t tell them if they would be there one hour (if their scene was in was shot first thing) or if it would be a twelve or fifteen hour day (if their scene was toward the end).  A lot of people would get upset because they had to sit around and wait for hours on end. The director wouldn’t let me release them and they couldn’t leave even for a few minutes. If they were there during a meal time craft services (the catering truck) provided their meals. So, really their compensation was a flat fee and sometimes up to three meals. On long days, I had a lot of cranky extras on my hands. Sometimes, I had to do a lot of tap dancing and sweet talking to appease them. If I remember right – that was a long time ago – my portion of the project lasted about a month. Toward the end, it got very hard to get people to agree to be in the movie.

Kathy: Haha! That’s something I never thought I’d hear anyone say that they had to beg people to be in a movie.  We had to beg people to be in the audience for the NEW MICKEY MOUSE CLUB at first because it was a new show.  We didn’t pay them but gave them complimentary tickets to come back to the Disney parks.  One of my favorite memories was of when I got to sit in on the table readings for the show.  It was so interesting to the kids take direction prior to shooting and then really show their skills when taping started.  What was your most memorable experience on the set, Nanc? 

Nancy: In D.A.R.Y.L., there was a car chase scene. When they were filming they closed down a portion of the highway between 2am and 4am. We needed A LOT of extras with cars who were willing to come out in the wee hours of the morning and drive. This is really a two-part memory – first, because I was so intrigued by the way they shot the scene. They had the extras drive 10mph so that when the “fast cars” drove by at 35mph, they looked like they were driving at breakneck speeds.

Kathy: What was the other memory? You said this was a two-parter.

Nancy: Oh, yes! The other fond memory is of the woman who started complaining about having to go to the bathroom the minute we got on the highway. Once we were there the director wouldn’t let anyone leave because we only had a very short period of time to shoot the scene (before they reopened the highway to regular traffic). There were no bathrooms and the exit ramps were blocked off by the police to keep cars not involved with the movie off the road. If she’d walked away to take care of business, her car would’ve been in the way of the shot.

Kathy: Oh, no! If only I’d been there since I was a Production Page I would have asked her before we left!   Seriously, Poor woman! What did she do?

Nancy: Umm…I found a cup for her. I’ll let you figure out the rest.

Kathy: Oh. Sorry I asked.  To change the subject… that’s a picture of me in my official MICKEY MOUSE CLUB jacket and Nanc is somewhere in that group shot.

Nancy: It’s sort of like “Where’s Waldo,” right?  Actually, I’m standing just to the right of center (in the very center of the picture). I’m wearing a yellow blouse near that person in green and sandwiched by the people in pink. Haha! We were a colorful bunch, weren’t we? Look at some of those hairdos! We won’t talk about how long ago that was…

Kathy: Reliving all these memories has been fun! We’d like to ask Romance Bandit readers to share a memory of their favorite job or something unusual they’ve done. Nancy and I will select one lucky winner to receive signed copies of our books.  

Ooh, great prizes, girls! Thanks for the great interview! Get commenting, people!